Sunday morning... Usually there is lots to do, and I never get to the computer until about 11 o'clock, but yesterday it was my daughter's eighteenth birthday party, and Rod and I went away; now we are back, but people aren't up yet, so what a perfect chance to do one's blog!
I've always wanted to write about photography. Everybody knows how important it is, especially to show your beads to people who want to buy them. The beads should look good but realistic. A lot of bead artists use very strong lighting for their shots, or take photos with a flash. What I found is that all this changes the colours a lot - or is it just my camera? So I usually opt for either very soft and "peaceful" (as I call them) shots of beads on my window sill, or in the 
sunlight - for a much stronger sparkly effect.
sunlight - for a much stronger sparkly effect. For example, when I was preparing this shot for my book, which in the end didn't make it, I laid out this "Mermaids' Eyes" bracelet on the window sill and just had to wait for the right light. It happened in the end, but this was one of the most difficult shots I'd ever taken. The reduced Double Helix Triton dots have a lot of colour in them, and it changes depending on the angle at which you look at them. It was important to capture this incredible change.
This other photo shows more amazing colours you can get from Double Helix. It was taken in the open, but not in the sun, as I was worried about "overcooking" the colours - you can get a whole rainbow effect from these, but I always leave this to the customer: when they open the parcel and discover beads which look even better in real life than on the photo, I should imagine they are going to be very pleased!
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