Busy, Busy!

So busy, that's how it's been, and that's why I haven't posted anything since my blog after Moscow. I've been making the prize beads for the GBUK competition and more jewellery to send off to Cooper Gallery in Barnsley.

I remember writing about the prize beads before. The idea then was to make them of a design from my book, and I already had half of the planned number of beads made (even with my oxycon playing up all along!). I thought that a set of beads would probably be better than one focal: I make various types of focals, and people like different things. But with a set, even if the person who wins them doesn't like them, she or he can always make a couple of pieces of jewellery and sell them and get some money - an incentive to participate in the next year's competition!

When I got back from Moscow I found out that I had been awarded the Dan Klein Travel Bursary by the Contemporary Glass Society (CGS) worth £500. It was amazing news! I planned to go to Japan to learn how to make tonbodama, traditional japanese glass beads, in order to write a book on the methods and designs associated with them. A couple of days later we saw the terrible events in Japan... But I'm still determined to go there this coming summer.

So Rod suggested that I make tonbodama beads as a prize for this year's GBUK Bead and Jewellery Competition taking place at Flame Off (8t-9th April). What a great idea! The only thing is, it takes me about 40 minutes to make one of these beads. The most difficult part is to make the shape. When I wrote a tutorial for the book, it simply read "Make a barrel-shaped bead". Of course, to make a nice plump barrel-shaped bead, with "dimples", with a slight curve... is a tutorial in itself. I should actually write one with step-by-step pix, as I have by now figured out how to make this shape quicker, but still it takes time. Then, there is the division of the surface of the bead into three parts for three flowers. The next thing is to make sure there aren't any signs of pulling left - so you need to flame-polish really well. The last difficult bit for me is right at the very end: to reduce the accent dots of the Iris Dark Blue reduction frit stringer, because if you leave them just a touch longer in the flame, the beautiful porcelain white surface of the bead goes yellow or even brown-black within a tenth of a second, and the whole bead goes to the bin!

But here they are, sent off and received safely yesterday by Charlotte, our Chairwoman:



I have to say that I've improved, and now it takes me about 30 minutes to make one.

I've also sent off my entry to the bead competition, but although I'm really excited about the bead I've made I am not allowed to blog about it, so it'll have to wait until the middle of April!

From Russia With Love!

Helloooooo, I'm back!

This was Moscow a couple of weeks ago, out of the window of my parents' flat:

As you can see, it was all covered in snow. Actually, this was when the snow started melting! My parents' apartment looks out to a kindergarten, it's a shame it was a bit too early when I was taking this pic, as you can't see the kiddies - they are so funny in the snow! The problem is, they just have a good time and enjoy themselves - winter is a wonderful time, you don't get mucky, just a little wet, but it's not a problem, you go inside and put your coats, hats, gloves and boots on the radiator - until the afternoon. This kindergarten looks lovely in the evening, when the street lights are on, it all looks so mysterious... Twilight used to be my fave time of day.

Apparently, the week I arrived was the coldest they had for the whole winter, temperatures going down to -25C during the day and below 30 at night. I was lucky I'd taken a proper winter coat with me, but I forgot to take a hat and I had to borrow my mum's spare pair of fur boots, as my Doc Martins just weren't cut for that sort of temperature. When you live in England, you tend to forget how cold it is out there in the world and what people have to cope with every day.

And this is the road to Domodedovo, where I landed and where I was taking off:

Domodedovo is OK, nobody can enter without their documents being checked first, so no problem.

I've had a good trip, with most of the things done on my little list. I've seen my relatives, I've been to a 55th birthday party (this is the pension age for women in Russia, so a lot of women have a celebration), I nearly met with one of my old classmates - we'll try again next time!- and I talked to a couple of Russian publishers regarding my book which I am translating into Russian. It's all been very positive indeed.

I came home and there was some amazing news waiting for me! But I have to stop now and I'll talk about it all in my next blog.

Flame Off Prize - Please Enter to Win!

I saw an Asian glass artist talking to his glass-making gods before starting his work. Every time I want to make beads now, I come up to my oxycon and say, "Please switch on, please switch on!". Hopefully, I'll be able to take it to Tuffnells next week for a service.

Yesterday I was lucky (the oxycon did switch on almost immediately) and I managed to start on the set of beads which I'm planning to give away as one of the GBUK prizes. This year they called for sponsorship of prizes for the GBUK Bead and Jewellery Competition which will be held at the Towcester Flame Off (http://www.tuffnellglass.com/contents/en-uk/otherurl.html?url=http://www.tuffnellglass.com/contents/en-uk/d65.html) in order to popularize British handmade glass beads. For entry requirements and to download the entry form please go to http://www.gbuk.org/pages/gbuk-bead-jewellery-competition-2011/#more-149. To enter the jewellery part of the Competition, you don't have to be a GBUK member! I decided to make some of my "Mucha" design, the full tutorial is available in my book. So far I'm pleased with what I've made:

These are bright, with orange and turquoise twisties and dots (the photo, as usual with me, has been taken in natural light). The difference between these and the ones described in the book is that I have inserted some hand-pulled murrini in the same colours, so they look even better! (It was getting too much for the book, so at the time I couldn't explain the murrini technique, but I can do it in the second volume). There are only four tabs at the minute, but I'm planning to make a set which will also include bigger lentils, and some of the beads will have turquoise or orange opaque background.

I have also been proof-reading busily, as Rod wanted to send the third part of the Demi-Monde series off to his agent by the end of Friday. When I'm proof-reading, it takes me a lot longer, as I almost pronounce mentally every word I read. It's quite time-consuming, but I do enjoy it, as I get to read the drafts of novels Rod writes! Then we discuss them, and sometimes, if I'm lucky, I even manage to give Rod a good idea for something. Or so he says. By the time he finishes with those sorts of ideas I don't recognise them, but it's even better, because he is great coming up with twists and turns in his stories.

So off to make some more beads - oxycon permitting!

More Happy Ivory and Cool Fossil Beads!

I've been busy, but not with making beads. Well...

It was my birthday last Sunday (lovely lovely day! everybody was so kind to me, I got great presents from my family and lots of good wishes from my Facebook friends!), and, as you do, I decided to try and make some beads. "To try" - that's because, as you know, my oxycon has been disagreeable lately, I really need to take it to Tuffnell for a good check. And guess what! - on Sunday it started working and I did manage to make some beads after a long time! Here they are:

As you can see, I'm still experimenting with the Effetre Cool Fossil, I just lllllove this earthy organic feel it adds to the Ivory. The bead on the left has a Dark Ivory base with large dots of Cool Fossil, worked very hot, until the glass started moving, then cooled, shaped and decorated with a twistie of Ivory and Intense Black and hand-pulled murrini of the same composition. (I was told it looks very Japanesee - yippee!). The bead in the middle is of Ivory and Cool Fossil base, but the Cool Fossil has been added in stripes, again worked very hot until it started "breaking" or "splitting" - you can see it by the "waves" created; the simple decoration here is four chips of hand-pulled murrini from a previous bead-making session (described in my blog "Cool Experimenting Part II"). The last bead, the one on the right, started as Effetre Transparent Light Amber (the photos have been taken in natural light, on a grey day - today! so you can't really see how much happy amber-coloured light this bead can radiate), then a layer of Effetre Dark Ivory was added to the surface so that parts of the Amber were left uncovered. I applied a twistie (again described in detail in "Cool Experimenting Part II") on the very edge of the Ivory and paddled it quite well, though I was keen to leave it slightly raised. At the end I decorated each side of this bead with a chip of my own murrini made in the following way:

Start with Dark Ivory, encase it with Transparent Light Amber, encase it again with Dark Ivory, cut "furrows" in the Ivory and put in stripes of Reichenbach Dark Multi stringer. When you apply this murrini, the trick is to paddle it very gently and not to overheat it so that not to spoil the complex middle. Otherwise, as you, probably, know, it will be "eaten" by the dark lines - a pretty effect, but only if you want it!

I like the etching effect on ivory, so this is just what I did: the first bead has been fully etched, the second has the lovely murrini with some shiny mirror and multicolour reduced Double Helix glass effect left unetched, and the third... Believe me, it's a work of art! I mean, of etching art! The stripes which, again, have the reduced reactive Double Helix in their composition (which is, of course, extremely difficult to catch on a photo!), have been left uneched, together with the lovely transparent Light Amber. But the Ivory part and the murrini have been etched. It looks great. I will be putting all of these on ebay over the next couple of weeks. I have to tell you that I'll be going to Moscow soon for quite a long time, but my ebay listings will be managed by Rod (he's been so kind!).

Ah, this is only a small part of what I've been up to, but the time is running out, so I'll have to come back on this in my next blog. :)!

The Prize Has Arrived!

That was me two days ago!

Time flies, and I was positive I was doing a blog on that day, but something happened, which was my oxycon went caputski - whatever the spelling is, the idea is the same: it stopped working and nothing would make it change its mind, so I was trying to sort that little problem out (no, I haven't solved it yet).

But back to the beginning. I was absolutely thrilled when a package arrived from Jane Tyrrell of "Jane's Jems and Jewels" and this was why I had a big smile on my face. I llllove receiving parcels, especially when it's a prize! Everything was really nicely wrapped, with ribbons and a card:

Whenever I unwrap something I feel a little upset that all the beautiful wrapping is going to be thrown away! I used to keep ribbons and things, but when we started moving houses I had to say goodbye to my treasures, as it was getting a bit out of hand, my collection of wrapping things was getting much too big! So when I opened the parcel from Jane, there were these lovely cards and the necklace presented in a pretty organza bag with little sparkly bits on it (I haven't seen one like this before).

And these are two more shots of my prize card and necklace - I love taking photos of pretty things!!! As you can see, Jane's handmade jewellery and cards are very individual, so check out her shop if you haven't done so yet (www.etsy.com/shop/janesjemsandjewels), I'm certainly coming back!

Second Review on Amazon!

I've just gone to Amazon.co.uk and what do I see but an excellent second review of "Glass Bead Jewelry Projects"! Wow, thank you so much, Lynsey! Here it goes:

"5.0 out of 5 stars Beautiful and inspirational Book, 27 Jan 2011
By
lynsey adams "Kanga" (England) - See all my reviews(VINE VOICE)
This review is from: Glass Bead Jewelry Projects (Paperback)

This is a beautiful book, and very good value, sold at a huge discount from the cover price. It is one of the few lampwork books published in the UK, so that you can be reasonably sure that the materials recommended are readily available.

What I particularly liked was that the author is not only giving us detailed instructions on some stunning projects, but from her own experience tells of the expensive mistakes and pitfalls to be avoided.

As another reviewer says, it isn't difficult to find a lampworking book that tells you the basics of making a bead, the tools needed and how to set them up. Where this book really scores, is that the author goes on to illustrate the book with her own extremely beautiful beads, with instruction on not only how to make them, with detailed step by step illustrations, but follows this with inspiring ideas on how to make each particular type of bead into a piece of stunning jewellery.

She begins by telling us exactly what type and quantity of glass to use for the bead: 'if you want your bead to look exactly like mine you will need:', and follows this with the same information on the materials and tools needed to make the jewellery. Experienced beadmakers might not need this, but it is very helpful to a near beginner.

Projects are graded into 'beginners', intermediate' and 'advanced' level, and although I think that it would certainly take a good deal practice to obtain the results in the book, even to a near beginner like myself they do actually look achieveable. There are a few exceptions to this towards the end of the book which look much more difficult, but they are in the 'advanced' section and could be worked toward. However, even the beads in the 'beginners' section are stunningly beautiful and not just padding for the book.

This is also a great book for furthering your own ideas and designs if you are past the stage of needing step by step instructions. Change a colour here, transfer a technique there, and you can use the beads shown in the book as templates for you own unique beads and jewellery.

Many other lampworking books show beads made by other artists - beautiful to look at, but often one is left frustrated and wondering, 'how did they DO that?'. This book shows the author's work exclusively, and I don't think it suffers from doing that, as the work is of a very high standard. It reads like a series of excellent and detailed personal tutorials, written in an accessible and friendly way.

One more thing that I particularly liked - and this is only a very personal opinion - there is not a sign of any glass animal beads, distorted faces, vessels, cottages, gnomes, cartoon characters, baskets of flowers, or any other type of hideously naff, (albeit technically skilful), creations so beloved by authors of certain other lampworking books.

If you want ideas and inspiration, with detailed instructions for making beautiful beads and jewellery, with this book you just can't lose. "