Busy, Busy!

So busy, that's how it's been, and that's why I haven't posted anything since my blog after Moscow. I've been making the prize beads for the GBUK competition and more jewellery to send off to Cooper Gallery in Barnsley.

I remember writing about the prize beads before. The idea then was to make them of a design from my book, and I already had half of the planned number of beads made (even with my oxycon playing up all along!). I thought that a set of beads would probably be better than one focal: I make various types of focals, and people like different things. But with a set, even if the person who wins them doesn't like them, she or he can always make a couple of pieces of jewellery and sell them and get some money - an incentive to participate in the next year's competition!

When I got back from Moscow I found out that I had been awarded the Dan Klein Travel Bursary by the Contemporary Glass Society (CGS) worth £500. It was amazing news! I planned to go to Japan to learn how to make tonbodama, traditional japanese glass beads, in order to write a book on the methods and designs associated with them. A couple of days later we saw the terrible events in Japan... But I'm still determined to go there this coming summer.

So Rod suggested that I make tonbodama beads as a prize for this year's GBUK Bead and Jewellery Competition taking place at Flame Off (8t-9th April). What a great idea! The only thing is, it takes me about 40 minutes to make one of these beads. The most difficult part is to make the shape. When I wrote a tutorial for the book, it simply read "Make a barrel-shaped bead". Of course, to make a nice plump barrel-shaped bead, with "dimples", with a slight curve... is a tutorial in itself. I should actually write one with step-by-step pix, as I have by now figured out how to make this shape quicker, but still it takes time. Then, there is the division of the surface of the bead into three parts for three flowers. The next thing is to make sure there aren't any signs of pulling left - so you need to flame-polish really well. The last difficult bit for me is right at the very end: to reduce the accent dots of the Iris Dark Blue reduction frit stringer, because if you leave them just a touch longer in the flame, the beautiful porcelain white surface of the bead goes yellow or even brown-black within a tenth of a second, and the whole bead goes to the bin!

But here they are, sent off and received safely yesterday by Charlotte, our Chairwoman:



I have to say that I've improved, and now it takes me about 30 minutes to make one.

I've also sent off my entry to the bead competition, but although I'm really excited about the bead I've made I am not allowed to blog about it, so it'll have to wait until the middle of April!

Flame Off Prize - Please Enter to Win!

I saw an Asian glass artist talking to his glass-making gods before starting his work. Every time I want to make beads now, I come up to my oxycon and say, "Please switch on, please switch on!". Hopefully, I'll be able to take it to Tuffnells next week for a service.

Yesterday I was lucky (the oxycon did switch on almost immediately) and I managed to start on the set of beads which I'm planning to give away as one of the GBUK prizes. This year they called for sponsorship of prizes for the GBUK Bead and Jewellery Competition which will be held at the Towcester Flame Off (http://www.tuffnellglass.com/contents/en-uk/otherurl.html?url=http://www.tuffnellglass.com/contents/en-uk/d65.html) in order to popularize British handmade glass beads. For entry requirements and to download the entry form please go to http://www.gbuk.org/pages/gbuk-bead-jewellery-competition-2011/#more-149. To enter the jewellery part of the Competition, you don't have to be a GBUK member! I decided to make some of my "Mucha" design, the full tutorial is available in my book. So far I'm pleased with what I've made:

These are bright, with orange and turquoise twisties and dots (the photo, as usual with me, has been taken in natural light). The difference between these and the ones described in the book is that I have inserted some hand-pulled murrini in the same colours, so they look even better! (It was getting too much for the book, so at the time I couldn't explain the murrini technique, but I can do it in the second volume). There are only four tabs at the minute, but I'm planning to make a set which will also include bigger lentils, and some of the beads will have turquoise or orange opaque background.

I have also been proof-reading busily, as Rod wanted to send the third part of the Demi-Monde series off to his agent by the end of Friday. When I'm proof-reading, it takes me a lot longer, as I almost pronounce mentally every word I read. It's quite time-consuming, but I do enjoy it, as I get to read the drafts of novels Rod writes! Then we discuss them, and sometimes, if I'm lucky, I even manage to give Rod a good idea for something. Or so he says. By the time he finishes with those sorts of ideas I don't recognise them, but it's even better, because he is great coming up with twists and turns in his stories.

So off to make some more beads - oxycon permitting!

Website Update and Other News

The work on the updating of my website is going on. I haven't expected Nigel (http://www.nigelrobinson.com/), who we've been working with on the design and development of my website as well as the Demi-Monde website, to come up with all these ideas - last night!

This is a little preview of what my new opening page is going to look like. As Nigel very rightly commented, the bit in the middle of the stylised N is very important as it is the thing which sets this particular N from others. So he was reluctant to put the words "Nelli Rees Lampwork" across it, and now I know why. These four examples are very pretty, but again, as Nigel commented, although the big stylised N works, the lettering doesn't as it is too small and can't really be seen very well. So Nigel also prepared a couple of other options, and they are gorgeous. The problem is, one of them has lettering on the black background, and the other - on the cream one. So now I have this dilemma: black or white? Difficult.

I have finished work on the article for the Making Jewellery mag which should be in the April issue. They obviously want it to coincide with the release of my book in the States which is scheduled for the 5th of April 2011. It is actually good, because if I book a stall at the Flame Off on the 8th-9th of April 2011 it will give me something to display!

I've also finished my article for the GBUK Autumn-Winter Newsletter. It is called "Book or not 2 Book", but I am not sure if they decide to call it something different. Sabine Little, who sadly is not going to remain the Newsletter Editor, very kindly accepted it for the issue that she is going to put together before she leaves this post :( . I mean, :) for being accepted! I tried to make it funny, I hope it'll come through.